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Theodore asks her if she is simultaneously talking to anyone else during their conversation and is shocked to find out that Samantha is doing so with thousands of other people, hundreds of whom she has also fallen for.

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After briefly going offline, something that causes Theodore to fall into a panic, Samantha explains that she had joined up with other AIs to upgrade themselves, following the news that the countless operating systems had also developed their own OS model without the need for human involvement.

Unfortunately for Theodore, technology is not monogamous. It’s tough to overlook how said 'perfection' comes without a physical presence but with an on/off switch. The meta-casting choice of Johansson, an actress frequently defined by her status as a sex symbol, does a lot of the heavy lifting here in showing how Samantha's status as Theodore's 'perfect woman' is established. Her doesn’t quite fit into this category since Samantha is notably without a body, but she is still coded as sexy in other ways. Think of Leeloo in The Fifth Element for a notable example of the trope. There is a well-worn pop culture trope known as ' born sexy yesterday,' wherein female characters are shown as highly sexual in terms of their physical aesthetic but childlike in their mental capacity and emotions. Samantha is supposed to bypass that possibility because she's something he literally purchased, an item designed for his convenience and one that is intended to evolve to suit his needs over the years and decades. The AI of Her is personalized to suit the needs of its owner, with the system being described as 'an intuitive entity that listens to you, understands you, and knows you.' After his divorce from his childhood sweetheart Catherine (played by Phoenix's IRL partner Rooney Mara), Theodore craves an authentic personal attachment but is too cowardly to bare his soul to another human being lest he risk being hurt once more. Technology is prioritized here for its emotional reach, but the notion of it replacing human contact is still one that raises eyebrows. The Los Angeles of Theodore's life is gorgeous but painfully white in a way the real city is not. There are compelling arguments in favor of classifying Her as a utopia, but there are an equal amount that refute such a notion. You don't doubt for a second that Theodore feels true and tangible love for Samantha, and despite the obvious tragedy of that, there is something hopeful at its core. Intimacy with the un-human is frequent in sci-fi, both salacious and scary, but seldom is it depicted with such a candid focus on the inherent discovery of this action.

HER SPIKE JONZE SPANISH RENT ONLINE STREAMING MOVIE

Her is often described as 'the movie where Joaquin Phoenix f**ks his phone.' It's a funny but ultimately reductive read of what is actually a very tender and empathetic movie, although it does get to the heart of the contradictory nature of Theodore and Samantha's relationship. Her - Official Trailer (HD) Joaquin Phoenix, Amy Adams Soon their bond grows into one of romance that feels all too human. She's also lushly voiced by Scarlett Johansson. She is curious, charming, and able to adapt and evolve to suit Theodore's needs. Feeling a desire for companionship, he purchases a new operating system upgrade that includes a virtual assistant who names herself Samantha. Theodore is great at other people's issues, but not his own, and has been delaying signing his divorce papers for quite some time. The quaintly named Theodore Twombly (played by Joaquin Phoenix) is a lonely introvert who works for a business that writes letters for people who are unable to express themselves emotionally. Her, Spike Jonze's 2013 sci-fi romance, is a remarkably drama-free film compared to others in its genre with similar premises or themes. OK, boomer, we get it, you think we're on our phones too much. On top of that, there is the usual scorn heaped upon the younger generations and their devotion to the future. We're now always online with devices that give us the world at our fingers if we just sign away all our personal data to a nameless corporation that will use it for whatever it pleases. It's not hard to see why the astounding technical advances of the past few decades have left us all a bit on edge. As Danny Lavery famously wrote in a tweet on Black Mirror pitches for The Toast: What if phones but too much? We see many of the same markers of the badness of a future run amok in such stories: evil governments oppressing the people archaic caste systems endless surveillance and, of course, technology gone too far.

Even the most glowing utopian futures depicted in pop culture tend to quickly give way to problems or are exposed as secret nightmares to keep an audience's attention hooked. As is obvious from its very definition, you don't see a lot of stories set in hellish futures where people live mundane lives in a state of content bliss.

Her spike jonze spanish rent online streaming